If you haven’t done so, do yourself a favor and pick up Trick ‘r Treat for annual Halloween viewing. It’s a pretty perfect horror love letter to the season of jack-o-lanterns and gratuitously sexy costumes for the ladies.
Anthology horror films are often uneven. One good story here, one or two bad stories there, then one or two middling “could take it or leave it” stories and voila, there’s your film. Trick ‘r Treat doesn’t much suffer from unevenness, in part because all of its stories improbably belong to a shared universe–hell, not even a universe; all these separate Halloween horror hi-jinks happen in the same small town and on the same night–and the movie is cleverly presented in a non-linear fashion. You get a snippet of a story here, a bit more of another one there, then that segues into the third, then eventually we lock in for an extended stretch on one tale or another, see it through to its climax before moving on yet again. Then toward the end there’s a satisfying denouement for everything we’ve witnessed.