Daily Horror History, August 12th: Dan Curtis, ‘Black Sunday’, and More

In my still ongoing research (seemingly endless, in fact; this idea may be my self-made purgatory), there are dates that are stacked with horror history. Today is one of those days.

Starting with a birthday, as I am wont to do whenever possible, today marks the birth of Dan Curtis, the prolific producer and director who gave us the television series Dark Shadows, the TV-film Trilogy of Terror (one of the more memorable made for TV horror flicks from an era that was full of them), the TV-film The Night Strangler (which eventually begot the beloved series The Night Stalker), the cinematic adaptation of Burnt Offerings, and several others. read more

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Daily Horror History, August 11th: Stuart Gordon’s Birthday and More

August 11th is a particularly loaded date in the history of horror fiction. FIrst, we have the birthday of the director of Re-Animator, From Beyond, Dolls and several other horror features, Stuart GordonRe-Animator and its spiritual successor From Beyond would alone qualify Gordon as a master of grotesquery that which is difficult to look at impossible to turn away from. But Gordon’s also proven he can scale things back from the Lovecraftian horrors, exploring a much more grounded and human horror in the excellent Struck. While he’s never had a breakout horror “hit” (which, had it the promotional and release backing, really could and should have been Stuck), Gordon’s had a career that stacks up favorably against many if not most other “masters” of the genre. read more

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Daily Horror History, July 28th: Jason Takes His Sweet Time Getting to Manhattan

The 8th Friday the 13th movie, in which Jason Voorhees will allegedly take on the BIg Apple, is often cited as being either the worst, second-worst or third-worst film in a series that doesn’t exactly have the highest standards to begin with. The other two contenders for worst Friday the 13th movie, by the way, are Jason Goes to Hell and Jason X, aka Jason Goes to Space. The lesson here then, I believe, is that fans of the series don’t care much for Jason’s road trips away from Crystal Lake. It doesn’t help, perhaps, that in two of these movies he spends as little time as possible at the destinations boasted of in the title. read more

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Daily Horror History: An Unfortunate Remake, and a “Psycho Biddy” Flick

We’re one year short of the 20th anniversary of one of the most misguided movie remakes in history. 1999’s The Haunting had a decent cast in front of the camera, and behind it, the director of Speed (doesn’t suit the material, but hey, great movie!), Twister, (okay, lesser effort, but still… Speed was great, right?) and Speed 2: Cruise Control (farewell, good will, we hardly knew ye). It also had an $80 million budget, which is 27% more than fellow ’99 release The Matrix needed to make people dodge bullets and high-jump across highways and kung-fu fight computer simulations and shit. And you know what, kudos to Hollywood having the faith to give a horror flick–often treated as the unwanted stepchild of genre fiction–a blockbuster budget for once. But–and this is a doozy of a “but”–maybe you shouldn’t reserve the “massive special effects” budget for an adaptation of the quintessential psychological ghost story. There aren’t many tales of supernatural horror that demand expensive CGI less than Shirley Jackson’s The Haunting. Jan de Bont had money to blow on this one, however, so he fed audiences computer generated bronze cherubs, blood-vomiting statues, and a climactic showdown with a video-game villain that looks better suited to the ending of The Mummy Returns. read more

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Confessions of a Fear Junkie – Silent Hill

At the risk of sounding a bit crude, allow me to propose that horror falls within (or roughly around) two general categories: “Oh Crap!” horror, and “What the hell?” horror. The former would be likened to more visceral or “primal” fears, the kind of horror that, when experienced in real life, makes you want to take off running immediately. The latter is more about uneasiness; the nagging sensation that something is wrong. It leaves you puzzled—at least initially—instead of triggering your “fight or flight” response. read more

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