Short Story: “Thank You For Using Forced Honesty Assassinations”

This is a flash-fiction story I wrote that was originally published in From the Asylum, a good online mag that has been defunct for over ten years now. It’s rather short, so if I managed to place it somewhere as a reprint it wouldn’t fetch much. So instead of leaving it indefinitely on the shelf, I figured I might as well share it here.

Joel was sitting at a table with his co-workers in the company cafeteria—listening to Simmons’ humorless anecdotes about his daughter’s biker boyfriend—when the stranger in the dark suit approached him. read more

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Confessions of a Fear Junkie: Stephen King’s ‘Night Shift’

Stephen King Night Shift book cover

Stephen King’s first collection of short horror stories might still be his best. Then again, I might be a bit biased, since Night Shift is the first Stephen King book that I read. As a young horror fan I was, of course, already familiar with King’s work through film and television adaptations of his stories. I considered myself a fan of his, but at twelve-years-old I hadn’t actually read any of his books yet.

My folks had a copy of Night Shift sitting on the bookshelf . I had never looked twice at that book until the summer before I entered Junior High. I’m not sure why I had avoided it until then. Given that I was already exceptionally susceptible to nightmares, it’s likely that I feared that reading stories coming straight from King’s brain–as opposed to stories delivered from page to screen by some other party–would be more harrowing than I was ready to endure. That summer, I decided to take the dive. read more

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Published Short Stories

Here’s a select list of some of the stories I’ve had published.

“TMI” – Devolution Z Magazine – July 2016 issue

When I was very young, my parents let me host a Halloween party, which, of course, meant that they had to put in a lot of the work by putting up decorations and buying atmosphere-establishing music, while I “helped” by mostly being in the way.

The record they bought featured some appropriately haunting music and sound effects. At one point, a man’s voice on the record cried out, “Don’t cross the bridge! Don’t cross the bridge!” Nothing before or after that point in the record made any mention of a bridge, or provided any context for his warning. It came out of nowhere, apropos of nothing, and that made it so much more frightening for me. read more

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