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Category: Horror History

Daily Horror History, July 25th: Happy Maximum Overdrive Day (And Birthday to Mike from The Blair Witch Project)

Stephen King’s directorial debut turned out to be his directorial swan song. Maximum Overdrive, released twenty-two years ago today, is based on King’s short story “Trucks,” in which the motorized vehicles of the world spontaneously become self-aware and hostile toward humans. The short-story is more dour and ends with an impractical apocalypse in which the vehicles have enslaved humankind, forcing the survivors to pump gas, a power dynamic that the narrator believes could last until the vehicles rust over and fail to run, but could last beyond that if the cars and trucks and motorcycles and even planes somehow coerce humankind to build replacements. READ MORE

Daily Horror History, July 24th: Wolves! Devil Snakes!

Before he became one of the nation’s most preeminent purveyors of super-wild “alternative concepts”, Whitley Strieber wrote a couple of standout horror novels in the midst of the horror paperback and movie boom of the 70’s and 80’s. The first of those novels was adapted into the film Wolfenwhich was released on July 24th, 1981. Starring Albert Finney, Diane Venora and Edward James Olmos, Wolfen is a solid adaptation, a stylishly brutal supernatural monster movie that featured something akin to “Predator-vision” five years before The Predator came to be. Between Wolfen, The Howling and An American Werewolf in London, 1981 is almost indisputably cinema’s greatest year  for werewolves (or, if you prefer, wolf-god-spirits in the case of Wolfen). READ MORE

Daily Horror History: An Unfortunate Remake, and a “Psycho Biddy” Flick

We’re one year short of the 20th anniversary of one of the most misguided movie remakes in history. 1999’s The Haunting had a decent cast in front of the camera, and behind it, the director of Speed (doesn’t suit the material, but hey, great movie!), Twister, (okay, lesser effort, but still… Speed was great, right?) and Speed 2: Cruise Control (farewell, good will, we hardly knew ye). It also had an $80 million budget, which is 27% more than fellow ’99 release The Matrix needed to make people dodge bullets and high-jump across highways and kung-fu fight computer simulations and shit. And you know what, kudos to Hollywood having the faith to give a horror flick–often treated as the unwanted stepchild of genre fiction–a blockbuster budget for once. But–and this is a doozy of a “but”–maybe you shouldn’t reserve the “massive special effects” budget for an adaptation of the quintessential psychological ghost story. There aren’t many tales of supernatural horror that demand expensive CGI less than Shirley Jackson’s The Haunting. Jan de Bont had money to blow on this one, however, so he fed audiences computer generated bronze cherubs, blood-vomiting statues, and a climactic showdown with a video-game villain that looks better suited to the ending of The Mummy Returns. READ MORE