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Tag: movie trailers

A QUIET PLACE II Impressed and Underwhelmed Me in One Trailer

Beginning with the positive, that opening scene from inside the car is very good, maybe even terrific. Cutting the moment just after the shot of the alien’s long arm clawing through the bus’s front windshield is such a great touch. In less than a minute, I was ready to amend my Most Anticipated Horror Movies of 2020 list to include this sequel, which I had previously felt somewhat apathetic towards. I though the first film was good, but didn’t see how the second film could do anything all that interesting with it. Somehow, the prospect of it revisiting the initial chaos brought about by the arrival of the alien attackers never occurred to me. Even if confined to occasional flashbacks, this idea intrigued me. Unfortunately, 90 seconds later, the trailer had once again rendered me less enthused about A Quiet Place II than I could be. READ MORE

My Favorite Horror Movie Trailers: GHOST STORY

The film adaptation of Peter Straub’s novel is unsurprisingly simplified in comparison to its source material. While it has its moments, including a fairly well executed and suitably gruesome climactic reveal, and Alice Krige is pretty magnificent in it, it also has more than its share of corny scenes doomed by bad shot selection, or oversold acting, or questionable (even unnecessary) dialogue. There’s an opening scene featuring a man plummeting to his death that’s laughable even by 1981’s “We’re still sketchy on how best to execute believable falling scenes” standards. A later scene of someone falling off a bridge ends with the same clumsy impact seen when a character takes a dive in Les Miserables thirty-one years later. Apparently, in this one very, very specific area, we haven’t collectively learned much in the past three decades. READ MORE

I am With the “Proud Mary” Trailer and REALLY with its Poster

Not too much to say beyond what’s in the title of the post. I’m glad to see (or hear, rather) that this trailer didn’t use some slowed town, sobered up, somber, twisted, chopped-&-screwed, or otherwise tortured cover version of the song “Proud Mary.” If you’re not too good to use the name, you’re not too good to use the song, and the trailer’s creators recognize this, so bravo to them for that. Beyond that, the trailer is edited well (including a nice bit using diegetic sounds to replace Tina Turner’s vocals) and is solid enough for an action movie trailer. READ MORE

Well…This FLATLINERS Remake Looks Underwhelming

I’ve mentioned it on here a time or three, but I’m not automatically averse to remakes. While people speak as though it’s a relatively new blight upon the world of cinema, there is a long, rich tradition of remaking movies in and outside of Hollywood, dating back to at least the 1920’s. Years pass, new technologies come along, new potential audiences come along, you try to update something that came before and, hopefully, make it even better than it was the first time. That last part is usually where the problems come in–when you’re remaking something that was already great, you better have a fantastic take on the material in store, otherwise people are likely to consider your efforts a waste of time at best. READ MORE

My Favorite Horror Movie Trailers: PUMPKINHEAD

Special Effects guru Stan Winston poured his best efforts into horror flicks ranging from the obscure or ill-regarded (The Bat People, Darkness Falls), to the cherished and influential (The Thing), but he only directed one horror movie during his career. Pumpkinhead is a well-built, country-gothic chiller with a memorable, somewhat laughable title that still makes me wonder if the general dearth of humor in the film is a missed opportunity. Granted, it’s hard to inject humor into a premise that is essentially “What if the father from Pet Sematary couldn’t resurrect his son and resorted to conjuring a vengeance demon instead?” READ MORE

The new “IT” Trailer isn’t half bad

The new full trailer for the upcoming adaptation of Stephen King’s It came out today, and it’s a reasonably solid trailer. Nothing exceptional or new, no surprises, but we get some glimpses of some solid set pieces and what could be some effective scares. The carousel slide projector scene is the rightful centerpiece of this trailer, and I like that the trailer (and possibly the scene in the film, that remains to be seen) ends without a full reveal of Pennywise’s face. It maybe should have cut off just a bit sooner, leaving it as more of a hint in the trailer, particularly if that’s also how the scene plays out (I doubt that, but it’s possible), but I’m nitpicking there. READ MORE

DON’T KNOCK TWICE Trailer Checks Off a Few of My Boxes

Spindly-limbed creature? Check.

Title that doubles as a warning? Check.

Black-and-white ink illustrations that look like they could be pulled from a fake grimoire? Pretty damn specific, and yet, that’s a check.

This isn’t a particularly great trailer. Pretty by the numbers, in fact. But I’m a sucker for the things that I am a sucker for, so it’s a given that I’ll be at least slightly interested in Don’t Knock Twice based just the small sample of it shown here.

There are some elements present here that I’ve come to  be wary of over the years, in particular the whole “incredibly powerful supernatural being is summoned by the most mundane action” thing. On one hand, I have a soft spot for such summoning, since Bloody Mary might be the first major fear I can remember in my life, and probably should be a subject of a future Confessions of a Fearphile entry. On the other hand, for many stories it makes very little sense, particularly when the supernatural creature is summoned to do someone’s specific bidding.  That said, the act of knocking on a door may not be what actually summons our supernatural antagonist at all, so I won’t hold that against the movie just yet. READ MORE

‘Baskin’ May be as Close as We’ll Get to a Good Silent Hill Movie

While the pull-quotes in the trailer for the Turkish horror film Baskin compare it to Hellraiser, the actual content of the trailer is more reminiscent of the best of the Silent Hill games. It appears to be a story about location that is damnation incarnate, and the story kicks off due to a car accident involving someone suddenly appearing in the middle of the road. Check out the IFC Midnight trailer and the shorter, TIFF trailer below. Neither is graphic enough to enter red-band territory, but if you’re on the squeamish side of things, you may want to brace yourself. READ MORE

DiCaprio Gets Bear Mauled and Buried Alive in ‘The Revenant’

Bears are mankind’s most beloved incredibly dangerous animals. We’ve made the world’s most famous stuffed toy out of them. We’ve made several lovable cartoon characters out of them.  We’ve tamed them to do circus tricks. We named an embrace after them that’s supposed to be a wrestling hold, but do a Google image search for “bear hug” and it’s 95% cuddly friendliness. Bears are great, except for when they remember that they’re unstoppable, overpowering mounds of muscle, jaws and claws that would easily win the 100-meters in the Olympics. READ MORE

About That Crimson Peak Trailer…

Over on the BNC, I wrote about the trailer for Guillermo del Toro’s Crimson Peak (if you haven’t seen it, you can watch it at the bottom of this post). Having rewatched it now, I feel like there a few more things I want to mention.

This cast is interesting. It occurs to me that I’ve only seen Hiddleston as Loki and in Midnight in Paris. So while my initial reaction is to say he’ll be great, I don’t have a very large body of work to personally base that opinion on. Jessica Chastain is a force. First thing I saw her in must have been Take Shelter, and she’s been good to excellent in everything since. Charlie Hunnam has a presence to him. I’m not going to hold the last few seasons of Sons of Anarchy against him, any more than I’m going to hold Tim Burton’s Alice in Wonderland against Mia Wasikowska. I don’t know how big of a role Jim Beaver will have in this–in a way he feels like the odd man out–but he might be my favorite actor in the cast. All in all, if the film doesn’t live up to its potential, it doesn’t appear that performances will be to blame. READ MORE