Skip to content

Category: Stories

Classic Scary Story History: “Wait ‘Til Martin Comes”

Back in 2011 I wrote about my history with and love for the Scary Stories to Tell in the Dark series. One thing I’ve enjoyed about the stories I read in my childhood is encountering their origins or earlier versions through the years. Now, as part of my never-ending quest on this site to start new things that I rarely revisit or see through satisfactorily, I’m going to start a series of posts focused on the light history and evolution of some classic scary stories. Starting with the joke story, “Wait ’til Martin Comes.” READ MORE

Today’s Short Story: Michael Montoure’s “Counting From Ten”

Pseudopod has been good to me over the years. But before I was ever one of their authors, I was one of their listeners, and one of their earlier stories is still one of my favorites. Michael Montoure’s “Counting From Ten” is a pretty direct tale centered around a gruesomely, cruelly injurious series of “accidents” that are, of course, not actually accidents at all.

To an extent, it has a bit of the old EC horror or Golden Age of Radio “supernatural poetic vengeance” vibe going for it, except it has a lot more heart–and therefore heartbreak–than the similarly styled Vault of Horror or The Witch’s Tale stories had. Its secondary protagonist and primary victim, Tommy, isn’t the total bastard that so many Tales From the Crypt villainous agonists were. Yes, he’s brought the misfortune that maims him onto himself, but he’s more of a hapless shlub, albeit a criminal. READ MORE

Today’s Short Story: “I Hope I Shall Arrive Soon” – Philip K. Dick

Details can be vital to a story. Details allow worlds to feel lived in, characters to breathe. But details needn’t be intricacies.

In Philip K. Dick’s science fiction short story “I Hope I Shall Arrive Soon” the details enrich the story’s future, planets and technologies with plausibility, but eschew needless complexity. This isn’t to say the story is “simple” (hardly) or basic, just that it’s direct. I’m also not saying that complexity and intricacy are inherently bad. They can be misplaced, however. Or abused to mask story flaws, like an overly complicated cologne might be an attempt to overwhelm your sense of smell, trying to hide that the fragrance simply isn’t appealing. READ MORE

Today’s Short Story: Stephen King’s “One for the Road”

At this point, almost any horror story featuring vampires is a reclamation project. I don’t need to rehash it here, but what the hell, I’ll do it anyway.

Vampires have become many things. Stylish, moody, desirable, heroic, even enviable. But they haven’t been proper horror villains–at least not consistently–for a long time.

Partly due to the setting, I think, the vampires in Salem’s Lot weren’t black-garbed, urbane charmers who happened to drink blood, but monstrous sub-humans with a hunger so unchecked they’re likely to kill off or convert their entire food supply before they realize what they’ve done. Salem’s Lot is not a perfect novel, and isn’t Stephen King’s best, but it still might be my favorite of his. Vampirism as presented in this novel isn’t merely a burden or disease; it’s not something you can struggle against. Its communicability seems less bite-related and more like it’s riding on a general miasma of malfeasance that has settled over a small town already nurturing its share of unpleasantness. READ MORE

Today’s Short Story: Ramsey Campbell “Call First”

Ramsey-Campbell-Call-FirstHis mind was backing away faster than he was…”

That’s one hell of a line (well, hell of a half of a line). Lean, efficient, and brilliant. As a horror writer, you sometimes face the issue of trying to come up with yet another semi-fresh way of saying, “this person is really, really scared.” It’s easy to overthink it, overdo it, and often harder to just summon a direct, fat-free line like this.

“His mind was backing away faster than he was…” READ MORE